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Download Galeana Font Family From Latinotype

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Download Now Server 1 Download Now Server 3 Download Now Server 2 Galeana is a flat-sided sans serif typeface that features a closed aperture. The font is a reinterpretation of Latin American-flavored typefaces used for European editorial designs such as Plastique and Zembla magazines. This superfamily consists of 4 sub-families: Compressed, Condensed, Standard and Extended. The heaviest and narrowest variants—created at the early stage of the design process—resemble the slender trunks of the Galenas ( African tulip trees ). The other variants have an extended width, which evokes the broad crown shape of these trees. Galeana comes in 48 styles and contains 417 glyphs that support over 200 Latin-based languages. The font performs well for mid-length text and it's the perfect choice for headlines, editorial design, brand identity design, advertis...
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Download Mortise Font Family From Signal

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Download Now Server 1 Download Now Server 3 Download Now Server 2 To mortise is “to join or fasten securely.” Created by an aspiring furniture-maker and an ageing typographer, Mortise is a solidly constructed new slab serif, and marks Signal’s first collaboration with outside designers. A generous x-height, open counters, wide proportions, and monoline strokes make it readable and practical, while the long, slightly curved vertical serifs give it a raffish, mustache-twirling air. The X-Light is neat and refined and holds the page nicely; the middle weights are sturdy and direct; and the broad, blocky serifs on the X-Bold are exuberant and perhaps a bit rowdy. Available in six carefully crafted weights, Mortise is both a fresh new face and a versatile addition to the venerable slab serif genre. Download Mortise Font Family From Signal
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Download Chonky Font Family From Typesenses

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Download Now Server 1 Download Now Server 3 Download Now Server 2 Say hello to the new workhorse for packaging and advertising design! Chonky — playful version of chunky — is a bold script font based on the former English calligraphy but with touches of the vitality that the commercial lettering of 1950s had, and it is mostly inspired in the work of the master Doyald Young and his lessons. Following the advice where he explains that boldness requires simple forms, this modern typeface wasn’t designed to imitate calligraphy but it was typographically thought, being as minimal as a script could be. The eye was put on legibility as well as on spacing and connections, which were specially cared, as it is usual in all Typesenses’ scripts. The upright axis makes the curves slower while the rounded terminals give a warm look. The ascenders, descenders ...
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